大的Celadon碗

This is a large bowl for any interior decoration.
It can be used for everyday cooking or displayed as an ornamental piece. The uneven surface is not only to make the design distinctive, but also to make the product itself lighter. The color is the same as the vase, so why not display it together with the vase?

Width：22.5cm
Depth：22.5cm
Height：11cm
Weight：1,018g

Clay

ZUISYO YOKOYAMA

ARTISAN STORY

Takeshi Yokoyama / Yokoyama Zuisho
A Kyoto ceramic artist with more than 40 years of experience. He mainly creates celadon tableware, tea utensils and vases in distinctive blue-green tones. His celadon glaze is blended in-house according to a formula handed down from his grandfather's generation.

ACHIEVEMENTS

・Received the Kyoto Prefecture Traditional Industry Excellent Technician Award
・Received the Chairman's Award from the Kyoto Chamber of Commerce and Industry
・Certified as a Traditional Craftsman

KYO WARE & KIYOMIZU WARE

About 1,200 years ago / 800s / Heian Period (794–1185)

Kyoto ceramics reach back to kilns operating before and during the Heian period, then expanded with tea culture in the Muromachi and Momoyama eras. In the seventeenth century, Nonomura Ninsei perfected brilliant overglaze decoration, followed by innovators such as Ogata Kenzan, Okuda Eisen and Aoki Mokubei, whose diverse approaches shaped today’s Kyo and Kiyomizu ware.

In Japan, these ceramics are famous precisely because there is no single fixed style. Tea bowls, kaiseki dishes and everyday tableware may use overglaze painting, blue-and-white decoration, gold, sancai-inspired color and many other techniques. The craft sits at the heart of Kyoto’s culture of pairing vessels with cuisine and tea.

The surprising point is that Kyoto was never defined by a single major clay deposit. Potters drew on materials such as Amakusa porcelain stone, techniques arriving from other regions, and the tastes of artists and patrons gathered in the capital. Freedom from one local material helped make Kyoto ceramics unusually hybrid and stylistically diverse.

Individual Differences

As each piece is individually handcrafted, slight variations in color, pattern, shape, and texture may occur. These subtle differences are a natural characteristic of handcrafted works, making each piece truly unique. We hope you will enjoy these individual variations as part of the beauty and character of Japanese craftsmanship.

Production Time

If an item is not currently in stock, it may be made to order by the artisan. As each piece is carefully handcrafted, production may take several months depending on the item and the artisan's schedule. We appreciate your patience and understanding.