قباقيب ضحلة / نسيج نيشيجين / أرابيسك / أسود

صُنع هذا المنتج كقطعة فنية بنقشة بروكار نيشيجين أنيقة، مع الحفاظ على شكل حذاء غوجيمبو. وباعتباره نهجًا جديدًا للحرفية التقليدية، فقد بذل حرفيونا أرواحهم في هذا المنتج.

يمكن ارتداء هذا المنتج، لكنه مخصص أساسًا للزينة.
إذا كنت ترغب في الحصول على حذاء خشبي ضحل بمقاسك، فيرجى الاتصال بنا.

العرض : 11 سم
العمق : 18 سم
الارتفاع : 9 سم
الوزن：500-600 جم

حرير
ورق ياباني

HASHIMOTO JINZO SHOTEN

"After its creator ceased to exist, it took about 10 years to restore it, using as a reference the items given to us by a dancer."

We are making daily efforts to produce footwear necessary for traditional Japanese events such as bugaku, which are worn in sacred places as well as with great skill, so that they can be handed down to the next generation.

ARTISAN STORY

Hashimoto Jinzo Shoten

Founded in Taisho 13 (1924), Hashimoto Jinzo Shoten initially specialized in Kyoto lacquerware and lacquered articles for Shinto and Buddhist rituals, including lacquered footwear such as clogs and straw sandals for Shinto priests.

After the passing of the founder in Showa 49 (1974), the second generation renamed the shop from Hashimoto Shoten to Hashimoto Jinzo Shoten. They continued to specialize in the lacquerware of items like straw sandals, crowns, and bird hats. The shop was also involved in creating footwear for important ceremonies, including the Shikinen Sengu of Ise Jingu and the enthronement ceremony.

Following the passing of the second-generation owner in Heisei 26 (2014), the third-generation owner, Hashimoto Koji, took over. The shop now manufactures and sells religious footwear and hats for Shinto priests at the Imperial Palace ceremonies, various major shrines, and temples, as well as for monks of various sects and main temples.

ASAGUTSU / JAPANESE TRADITIONAL FOOTWEAR

About 1,300 years ago / 700s / Nara Period (710–794)

Asagutsu are shallow formal shoes used in ancient court dress and Shinto ritual, traditionally made from rigid materials such as wood or leather and finished with lacquer or textile. Their form became established through the costume systems of the Nara and Heian periods and survives today in highly restricted ceremonial settings.

Even many Japanese people rarely encounter them outside shrines, gagaku or imperial-related ceremonies. They can be thought of as “living ancient footwear,” preserved because the ritual costume itself remains active.

Unlike modern shoes shaped closely to left and right feet, asagutsu have a hard shell-like form. Comfort and walking efficiency are secondary to maintaining the silhouette and dignity of the entire costume. They sit at the unusual boundary between practical footwear and ceremonial symbol.

الاختلافات الفردية

نظرًا لأن كل قطعة تُصنع يدويًا بشكل مستقل، فقد تطرأ اختلافات طفيفة في اللون والنمط والشكل والملمس. وتُعد هذه الاختلافات الدقيقة من الخصائص الطبيعية للأعمال اليدوية، ما يجعل كل قطعة فريدة من نوعها حقًا. نأمل أن تستمتعوا بهذه الاختلافات الفردية كجزء من جمال الحرفية اليابانية وطابعها المميز.

مدة الإنتاج

إذا لم يكن المنتج متوفرًا في المخزون حاليًا، فقد يقوم الحرفي بتصنيعه حسب الطلب. ونظرًا إلى أن كل قطعة تُصنع يدويًا بعناية، فقد يستغرق الإنتاج عدة أشهر، وذلك حسب المنتج وجدول الحرفي. نقدر صبركم وتفهمكم.