OMIGOROMO PAPTED VEST RYUSUI

Japanese craftsmanship has long been rooted in the pursuit of functional beauty. Yet, as modern lifestyles evolve, certain limitations inevitably arise—this, too, is a characteristic of traditional crafts.

This shirt design was born from a desire to highlight the beauty that still shines through those constraints. The fixed width of obi fabric results in unique paneling, while incorporating elements like pockets—often difficult to execute with such material—presents both a challenge and an opportunity. This piece is a response to the question: What defines the beauty of traditional craftsmanship?

About the Design
Our concept embraces the coexistence of two opposing elements: elegance and aggression. By breaking away from traditional compositions and forms, the design is a fusion of contemporary culture and time-honored craftsmanship.

In Nishijin textile design, intricate patterns are expressed through the interplay of warp and weft. With a sculptural texture, we aim to create textiles that transcend the boundaries of material itself—this is the philosophy that drives our work.

【S】
Length : 67
Shoulder width : 48.7
Body width : 52
Sleeve length : 55.7

【M】
Length : 72
Shoulder width : 50.2
Body width : 55
Sleeve length : 58.7

Silk

N'S 1182

"Pleasure in revolution of tradition"

In this age of continuous technological development, a wide variety of materials, machines, and AI have been created.
However, in our region, craftsmen are still making things today using traditional techniques, preserving the beauty of their craftsmanship.
In this brand, we believe that the beauty and warmth of analog objects can only be created by human beings, and we will continue to transmit this belief.
We are working to grow a brand that can share new values with everyone.

ARTISAN STORY

N's 1182 / Yusuke Maeda
Coexistence of opposing factors; elegant and aggressive.
The design concept, which breaks with traditional compositions and molds, is created through a fusion of all modern cultures and traditional craftsmanship. By creating textures that resemble sculptures, we create textiles based on the philosophy of "going beyond the category of materials".

NISHIJIN ORI / NISHIJIN SILK TEXTILES

About 1,200 years ago / 800s / Heian Period (794–1185)

Nishijin textiles trace their technical roots to the Oribe-no-tsukasa, a Heian-period government workshop that produced luxury cloth for the court. Weavers scattered during the Onin War but later returned to the area around the former western army camp—nishi-jin—giving the district its enduring name. In the Meiji period, European Jacquard technology was actively introduced.

In Japan, Nishijin represents some of the country’s most prestigious silk weaving, especially obi and Noh costumes. Because designs are woven from pre-dyed yarn rather than printed afterward, colors can have extraordinary depth. Today the skills also appear in ties, bags, interiors and collaborations with fashion brands.

“Nishijin” was not originally an ancient place-name; it literally refers to the “western camp” of the Onin War. Production is also profoundly distributed: design, pattern preparation, twisting, dyeing and weaving may involve more than twenty specialized stages across the neighborhood. The city district itself functions like a single enormous workshop.

Individual Differences

As each piece is individually handcrafted, slight variations in color, pattern, shape, and texture may occur. These subtle differences are a natural characteristic of handcrafted works, making each piece truly unique. We hope you will enjoy these individual variations as part of the beauty and character of Japanese craftsmanship.

Production Time

If an item is not currently in stock, it may be made to order by the artisan. As each piece is carefully handcrafted, production may take several months depending on the item and the artisan's schedule. We appreciate your patience and understanding.