Deep Dish / Goun Toen / Jade Glaze

This deep dish is made by a skilled craftsman.
The chemical reaction that occurs during the firing process creates a design that looks as if a flower has bloomed. One of the characteristics of this craft is that you do not know where the design will be until it is fired. It is a stylish gem that looks simple from a distance, but when you get closer, you can see the detailed design. Please enjoy the plate that can be matched with any kind of food for your dining table.

Width：25.5cm
Depth：25.5cm
Height：10cm
Weight：795g

Clay

GOUNTOEN

He strives to create works that are beautiful to look at, enjoyable to use, and capable of bringing richness to everyday living spaces, while working with gratitude for the joy of making.

ARTISAN STORY

Kiyonori Maeda / Goun Toen
The third-generation potter of a Kyoto kiln with a history of roughly 100 years, he carries forward the aspirations of the previous generation while continually asking himself what true beauty in ceramics means. His work includes distinctive floral-like patterns created through dynamic reactions in the glaze.

ACHIEVEMENTS

・Selected for the Nitten Exhibition

KYO WARE & KIYOMIZU WARE

About 1,200 years ago / 800s / Heian Period (794–1185)

Kyoto ceramics reach back to kilns operating before and during the Heian period, then expanded with tea culture in the Muromachi and Momoyama eras. In the seventeenth century, Nonomura Ninsei perfected brilliant overglaze decoration, followed by innovators such as Ogata Kenzan, Okuda Eisen and Aoki Mokubei, whose diverse approaches shaped today’s Kyo and Kiyomizu ware.

In Japan, these ceramics are famous precisely because there is no single fixed style. Tea bowls, kaiseki dishes and everyday tableware may use overglaze painting, blue-and-white decoration, gold, sancai-inspired color and many other techniques. The craft sits at the heart of Kyoto’s culture of pairing vessels with cuisine and tea.

The surprising point is that Kyoto was never defined by a single major clay deposit. Potters drew on materials such as Amakusa porcelain stone, techniques arriving from other regions, and the tastes of artists and patrons gathered in the capital. Freedom from one local material helped make Kyoto ceramics unusually hybrid and stylistically diverse.

Individual Differences

As each piece is individually handcrafted, slight variations in color, pattern, shape, and texture may occur. These subtle differences are a natural characteristic of handcrafted works, making each piece truly unique. We hope you will enjoy these individual variations as part of the beauty and character of Japanese craftsmanship.

Production Time

If an item is not currently in stock, it may be made to order by the artisan. As each piece is carefully handcrafted, production may take several months depending on the item and the artisan's schedule. We appreciate your patience and understanding.