Plat à bord / violet

Cette assiette simple et polyvalente convient à toutes les occasions. Vous pouvez ainsi savourer chez vous des plats comme s’ils étaient servis au restaurant. À la fois belle et facile à utiliser, c’est un véritable bijou qui met en valeur les mets que vous y déposez. Chaque émail lui confère un aspect différent. Savourez vos plats du quotidien sur des assiettes façonnées par des artisans qualifiés.

Largeur：22,5 cm
Profondeur：22,5 cm
Hauteur：6,5 cm
Poids：597 g

Argile

STUDIO HOKI

"Transforming the powerful energy of humanity into works of art"

Looking at Jomon pottery created more than 10,000 years ago or primitive art from Africa, he feels an unmistakable strength that could only have come from human hands. He hopes to embody that energy in his own work and share it with those who encounter his pieces.

ARTISAN STORY

Masakazu Hoki / Pottery Studio HOKI
Working from a studio on a 430-meter-high mountaintop at the western edge of Kyoto, he is inspired by primitive art from Africa, Central and South America, and Central Asia. In recent years, alongside functional vessels, he has explored works expressing the powerful vitality of Japan's Jomon culture. His pieces have also attracted admirers from Israel and other parts of the Middle East.

ACHIEVEMENTS

・Received the Special Selection Award at the 35th Nitten Exhibition
・Selected at the Faenza International Ceramic Art Competition in Italy
・Received the Minister of Education, Culture, Sports, Science and Technology Award at the 17th NIKKOKAI Exhibition

KYO WARE & KIYOMIZU WARE

About 1,200 years ago / 800s / Heian Period (794–1185)

Kyoto ceramics reach back to kilns operating before and during the Heian period, then expanded with tea culture in the Muromachi and Momoyama eras. In the seventeenth century, Nonomura Ninsei perfected brilliant overglaze decoration, followed by innovators such as Ogata Kenzan, Okuda Eisen and Aoki Mokubei, whose diverse approaches shaped today’s Kyo and Kiyomizu ware.

In Japan, these ceramics are famous precisely because there is no single fixed style. Tea bowls, kaiseki dishes and everyday tableware may use overglaze painting, blue-and-white decoration, gold, sancai-inspired color and many other techniques. The craft sits at the heart of Kyoto’s culture of pairing vessels with cuisine and tea.

The surprising point is that Kyoto was never defined by a single major clay deposit. Potters drew on materials such as Amakusa porcelain stone, techniques arriving from other regions, and the tastes of artists and patrons gathered in the capital. Freedom from one local material helped make Kyoto ceramics unusually hybrid and stylistically diverse.

Différences individuelles

Chaque pièce étant fabriquée à la main individuellement, de légères variations de couleur, de motif, de forme et de texture peuvent survenir. Ces subtiles différences sont une caractéristique naturelle des créations faites à la main, rendant chaque pièce véritablement unique. Nous espérons que vous apprécierez ces variations individuelles comme faisant partie de la beauté et du caractère de l'artisanat japonais.

Délai de production

Si un article n'est pas actuellement en stock, il peut être fabriqué sur commande par l'artisan. Comme chaque pièce est soigneusement fabriquée à la main, la production peut prendre plusieurs mois selon l'article et le planning de l'artisan. Nous vous remercions de votre patience et de votre compréhension.