Ume et lune

Ce panneau artistique met en valeur les techniques traditionnelles des artisans de Kyo Hyogu. Il représente de délicates fleurs de prunier illuminées par le clair de lune.
Il s'accorde à tous les styles, modernes comme classiques.
Pourquoi ne pas l'exposer comme élément décoratif dans votre pièce ? Cette œuvre empreinte de douceur saura certainement enrichir votre âme !

Largeur：30cm
Hauteur：30cm
Épaisseur：2,1cm
Poids：600g

Principalement du papier japonais

KYOHYOGU ONOZAWA

"Aiming for the standard of the future"

Kyo-Hyogu, which has inherited and preserved traditional beauty within a set of rules and regulations, is now being put into an artistic framework to create "new Hyogu". We hope that this free expression of "Hyogu x Art" will become the standard of Hyogu for the next 100 years.

ARTISAN STORY

Mitsunori Onozawa / Kyohyogu Onozawa
He has been a craftsman in Kyoto, Japan since 1995, making shoji screens, hanging scrolls, and folding screens for use in tea rooms. He used to be a band member and spent his days playing music, but after visiting a relative's Hyogu shop, he became fascinated by the depth of the art of Hyogu and decided to become a craftsman. He focuses on the crafting of art panels, not only traditional ones, but also those that fit in with modern interiors, using his Hyogu techniques.

ACHIEVEMENTS

・Received Kyoto Governor's Award
・Received the Kyoto Shimbun Award
・He has received more awards for their work.

KYO HYOGU / KYOTO ART MOUNTING

About 1,200 years ago / 800s / Heian Period (794–1185)

Mounting techniques reached Japan with Buddhist paintings and sutras and were refined in Kyoto through temples, the court and tea culture. Hanging scrolls, folding screens and sliding panels are built from layers of washi, textile and paste, engineered to remain flat while responding to changes in humidity.

In Japan, scrolls and screens are not merely frames for art; they allow interiors to change with the seasons. Kyoto mounters play an intentionally supporting role—enhancing the painting or calligraphy, preserving it and repairing it when necessary rather than competing with it visually.

The most fascinating principle is that a good mounting is made with future restoration in mind. Wheat-starch paste and paper layers can later be separated and renewed. Avoiding permanent modern adhesives is precisely what allows centuries-old works to be repaired generation after generation.

Différences individuelles

Chaque pièce étant fabriquée à la main individuellement, de légères variations de couleur, de motif, de forme et de texture peuvent survenir. Ces subtiles différences sont une caractéristique naturelle des créations artisanales, rendant chaque pièce véritablement unique. Nous espérons que vous apprécierez ces variations individuelles comme faisant partie de la beauté et du caractère de l'artisanat japonais.

Délai de production

Si un article n'est pas actuellement en stock, il peut être fabriqué sur commande par l'artisan. Comme chaque pièce est soigneusement fabriquée à la main, la production peut prendre plusieurs mois selon l'article et le planning de l'artisan. Nous vous remercions de votre patience et de votre compréhension.