Plaque

Cette pièce est façonnée selon des techniques traditionnelles transmises de génération en génération depuis plus de 1 000 ans. La couleur et l’aspect de la céramique évoluent lors de la cuisson, chaque pièce est donc unique et devient votre œuvre d’art personnelle.
Manger dans une belle assiette rendra vos plats bien meilleurs qu’à l’accoutumée.
Nous espérons que vous apprécierez les couleurs uniques de la céramique Bizen !

Largeur：26cm
Hauteur：1,5cm
Profondeur：13cm
Poids：442g

Argile

HOZANGAMA

"Bringing the delicate and simple beauty of Japanese modeling to the other side of the ocean"

In addition to his activities in Japan, he has been actively exhibiting his work outside of Japan and has been active in the United States, England, and other parts of the world. His craftsmanship, which utilizes earth colors, has a quality that convinces everyone who uses it and makes them aficionados.

ARTISAN STORY

Toshiaki Mori / Hozangama
The fan-shaped ceramic seal on the bottom of ceramics used in the kiln today is said to have been in use since the Muromachi period (AD 1500). The kiln has been making high-quality ceramics including tea ware, sake cup and so on since 500 years ago.

ACHIEVEMENTS

・Commemorative items for the 100th Anniversary of the Establishment of Diplomatic Relations between Japan and Ecuador were produced and presented to the governments of both countries.
・Selected multiple times for the Japan Traditional Crafts China Branch Exhibition.
・He has received many other awards for their work.

BIZEN WARE

About 1,000 years ago / 1100s / Heian–Kamakura Period

Bizen ware developed around Imbe in Okayama from the late Heian into the Kamakura period and is one of Japan’s Six Ancient Kilns. Iron-rich clay is fired for long periods at high temperature without applied glaze, producing durable jars and mortars and later highly valued tea ceramics.

In Japan, Bizen is the classic example of yakishime pottery in which clay and fire create the decoration. Sake vessels, flowerware and tableware are appreciated for one-of-a-kind firing effects such as goma ash marks, hidasuki red lines and sangiri.

Hidasuki began as an accident. Straw was originally placed between pieces to stop them sticking together in the kiln; chemical reactions between the straw and iron in the clay left dramatic red lines. A practical firing aid eventually became one of the most deliberately sought-after beauties in Japanese ceramics.

Différences individuelles

Chaque pièce étant fabriquée à la main individuellement, de légères variations de couleur, de motif, de forme et de texture peuvent survenir. Ces subtiles différences sont une caractéristique naturelle des créations artisanales, rendant chaque pièce véritablement unique. Nous espérons que vous apprécierez ces variations individuelles comme faisant partie de la beauté et du caractère de l'artisanat japonais.

Délai de production

Si un article n'est pas actuellement en stock, il peut être fabriqué sur commande par l'artisan. Comme chaque pièce est soigneusement fabriquée à la main, la production peut prendre plusieurs mois selon l'article et le planning de l'artisan. Nous vous remercions de votre patience et de votre compréhension.