Asakura-jyo

« Ces masques de Noh sont fabriqués sur mesure et à la demande.
Ces masques représentent un vieil homme du peuple. Nous avons commercialisé ces masques de Noh, normalement réservés aux pièces de théâtre du même nom, dans l’espoir de les faire connaître aux personnes du monde entier. Vous qui aimez les fantômes et les monstres, pourquoi ne pas les exposer dans vos chambres ? »

Largeur：22cmProfondeur：16cmHauteur：10cmPoids：150g～300g

Bois

ICHIYU TERAI

"First of all, you have to keep doing something with conviction, and by doing so, it will surely take shape."

Originally, I had no intention of becoming a Noh mask craftsman, but I just kept on doing "making things". Then I gradually gained recognition from the people around me, and here I am today. I believe that believing in yourself and continuing to do what you do is the best part of life!

ARTISAN STORY

Ichiyu Terai
At the age of 22, he studied under Takano Yuikan. Since then, he has been active as a Noh mask maker in Kyoto for more than 50 years. He is one of the few Noh mask makers in the modern era who handcrafts all processes of Noh masks. Terai's Noh masks have been selected not only by collectors, but also by museums and Noh performers, and have long been used in events at temples and shrines throughout the Kansai region. We also sell Noh masks to the general public in order to introduce them to people overseas.

ACHIEVEMENTS

・Produced Japan's largest Noh mask 'Masume'
・Held solo exhibitions in Canada, Germany, U.S.A., and other countries
・Advisor to the Japan Noh Mask Art Association

NOHMEN / JAPANESE NOH MASKS

About 650 years ago / 1300s / Muromachi Period (1336–1573)

Noh masks draw on older Japanese ritual and theatrical masks but took their classical forms as Noh matured in the fourteenth and fifteenth centuries. Standard types represent women, old men, demons, gods and other roles. Mask carvers shape cypress and apply gofun and mineral pigments with extraordinary restraint.

In Japan, Noh masks are famous for appearing almost expressionless yet changing emotion with tiny movements of the actor’s head. They remain working stage objects, while historic masks are also treasured as major works of art.

The secret lies in calculated asymmetry and shadow. Mouth corners, eye depth and cheek volume may differ by tiny amounts. Tilting the mask upward—teru, “to shine”—can make it appear brighter, while lowering it—kumoru, “to cloud”—suggests sorrow. The sculpture is designed to be animated by light.

Différences individuelles

Chaque pièce étant fabriquée à la main individuellement, de légères variations de couleur, de motif, de forme et de texture peuvent survenir. Ces subtiles différences sont une caractéristique naturelle des créations artisanales, rendant chaque pièce véritablement unique. Nous espérons que vous apprécierez ces variations individuelles comme faisant partie de la beauté et du caractère de l'artisanat japonais.

Délai de production

Si un article n'est pas actuellement en stock, il peut être fabriqué sur commande par l'artisan. Comme chaque pièce est soigneusement fabriquée à la main, la production peut prendre plusieurs mois selon l'article et le planning de l'artisan. Nous vous remercions de votre patience et de votre compréhension.