Barreau à la pointe en ébène à rayures / pp

Ce stylo est issu du savoir-faire d’une maison de sculpture ranma de longue tradition, forte de plus de 150 ans d’histoire.
Fabriqué en ébène rayée, ce stylo se distingue par sa dureté et ses veinures caractéristiques. Vous pourrez ressentir la chaleur que seul le bois peut procurer.
Utiliser un stylo de qualité supérieure rendra vos moments d’écriture plus agréables.

Longueur：13,2 cm
Poids：23 g

Bois

CARVING STUDIO ASAKURA

"1. It is the duty of a craftsman to make things without compromise. 2. it is the duty of a merchant to satisfy his customers"

Since the first year of Meiji period (1868), we have been involved in the manufacture of wooden products, and although the times and the contents have changed, the spirit of "uncompromising craftsmanship" that we have inherited has remained unchanged. We have been, and will continue to be, a step forward in our beliefs while overcoming many challenging environment.

ARTISAN STORY

Junichi Asakura / Asakura Carving Studio
Asakura Sculpture Shop was founded in 1937, with its roots in 1868 when the first generation became independent as shrine carpenters. He feels that his mission is to make the wood more beautiful and send it out so that people will be happy to hold it in their hands, and at the same time, he is grateful and respectful to the wood that has given him life.

ACHIEVEMENTS

・Designated as a traditional craftsman in Kagawa Prefecture in 2019

RANMA CHOKOKU / JAPANESE WOOD CARVING

About 400 years ago / 1600s / Edo Period (1603–1868)

Ranma are open panels placed above sliding doors in Japanese rooms, and carved decoration became highly refined as temples, townhouses and merchant residences developed during the Edo period. Flowers, birds, landscapes and dragons were pierced through thick boards, decorating rooms while allowing light and air to pass.

In Japan, ranma are literally sculpture inside architecture. In wealthy homes and temples they could be major displays of status and craftsmanship. As traditional rooms decline, carvers increasingly adapt the same skills to wall panels, framed works and hotel interiors.

A ranma is not always a one-sided relief. Because it may be seen from both rooms, some carvings must make visual sense from front and back. The cut-out negative space also performs ventilation, so the “holes” in the sculpture function as part of the building system.

Différences individuelles

Chaque pièce étant fabriquée à la main individuellement, de légères variations de couleur, de motif, de forme et de texture peuvent survenir. Ces subtiles différences sont une caractéristique naturelle des créations faites à la main, rendant chaque pièce véritablement unique. Nous espérons que vous apprécierez ces variations individuelles comme faisant partie de la beauté et du caractère de l'artisanat japonais.

Délai de production

Si un article n'est pas actuellement en stock, il peut être fabriqué sur commande par l'artisan. Comme chaque pièce est soigneusement fabriquée à la main, la production peut prendre plusieurs mois selon l'article et le planning de l'artisan. Nous vous remercions de votre patience et de votre compréhension.