Bacchette / akane / ottagono

A pair of chopsticks were produced with the aim of creating a design that transcends the boundaries of "lacquer" and "Japanese style".
AKANE comes in a powerful red color. When summer is over and autumn is approaching, the streets of Japan are filled with leaves in these colors. You will enjoy the beautifully changing light colors from different viewing angles and by day and night.

Length：22.5cm
Weight：30g

Japanese LacquerKyoto opal
Wood

LACQUER STUDIO MATSUDA

"Repainting traditional art into modern art"

With the demand for lacquer decreasing rapidly, we want to convey the beauty of lacquer to a wider variety of people. With this in mind, we have incorporated the traditional techniques we have cultivated over the years into accessories to make lacquer more accessible to people.

ARTISAN STORY

Tsutomu Matsuda / Matsuda Lacquer Studio
He has been engaged in lacquering Buddhist altars and ritual articles for more than 50 years in Kyoto. He sublimates the techniques and experience he has cultivated over the past 50 years into accessories that glamorously adorn the body and soul of people. He produces genuine handmade crafts that stubbornly stick to handcrafting.

ACHIEVEMENTS

・Designated as a traditional craftsman in 2014
・Received award for Master Craftsman of Kyoto
・Received award for the Order of the Sacred Treasure, Silver and Silver Rays
・He has received many other awards for their work.

KYO BUTSUDAN / KYOTO BUDDHIST ALTARS

About 1,000 years ago / 1000s / Heian Period (794–1185)

Kyoto Buddhist altars developed after the Heian period as temple building concentrated sculptors, woodworkers, lacquerers, gilders and decorative metal specialists in the capital. During the Edo period, the growth of major Buddhist sects and household worship increased demand, turning Kyoto into a center for highly sophisticated altars and ritual fittings.

In Japan, a household altar is a place to address ancestors and remember the dead. Large traditional altars have become less common in compact urban homes, but smaller prayer spaces and furniture-like designs continue to adapt the practice to modern life.

A Kyoto altar is rarely the work of one craftsperson. Wood construction, carving, lacquer, gold leaf, maki-e, metal fittings and final assembly can be divided among numerous specialists. In a single cabinet, many of Kyoto’s most important craft traditions are brought together—almost like a miniature temple.