Türkisgericht

This Kiyomizu-yaki dish has a beautiful turquoise color.
The turquoise color goes well with any dish and enhances the appearance of the food. It is also a size that can be used for salads, pasta, and other daily dishes. Unlike commonly sold ones, the uneven surface is comfortable to hold in the hand. Since this is something you use every day, why not use a little more effective, long-lasting dishware?

Width：16cm
Depth：16cm
Height：7cm
Weight：330g

Clay

STUDIO HIRANO

ARTISAN STORY

Taizo Hirano / Pottery Studio HIRANO
An independent Kiyomizu ware potter working in Kyoto since 2002. He creates vessels with traditional seasonal motifs and forms for long-established Kyoto restaurants and ryokan, while also responding to the ideas of emerging chefs with pieces that are not bound by convention.

KYO WARE & KIYOMIZU WARE

About 1,200 years ago / 800s / Heian Period (794–1185)

Kyoto ceramics reach back to kilns operating before and during the Heian period, then expanded with tea culture in the Muromachi and Momoyama eras. In the seventeenth century, Nonomura Ninsei perfected brilliant overglaze decoration, followed by innovators such as Ogata Kenzan, Okuda Eisen and Aoki Mokubei, whose diverse approaches shaped today’s Kyo and Kiyomizu ware.

In Japan, these ceramics are famous precisely because there is no single fixed style. Tea bowls, kaiseki dishes and everyday tableware may use overglaze painting, blue-and-white decoration, gold, sancai-inspired color and many other techniques. The craft sits at the heart of Kyoto’s culture of pairing vessels with cuisine and tea.

The surprising point is that Kyoto was never defined by a single major clay deposit. Potters drew on materials such as Amakusa porcelain stone, techniques arriving from other regions, and the tastes of artists and patrons gathered in the capital. Freedom from one local material helped make Kyoto ceramics unusually hybrid and stylistically diverse.

Individual Differences

As each piece is individually handcrafted, slight variations in color, pattern, shape, and texture may occur. These subtle differences are a natural characteristic of handcrafted works, making each piece truly unique. We hope you will enjoy these individual variations as part of the beauty and character of Japanese craftsmanship.

Production Time

If an item is not currently in stock, it may be made to order by the artisan. As each piece is carefully handcrafted, production may take several months depending on the item and the artisan's schedule. We appreciate your patience and understanding.